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C.V.
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WORKS, COMMISSIONS AND PERFORMANCES
Namasté — for string quartet (2008) 20'
Atomic Variations — for guitar, piano, saxophone, percussion (2006) 14'
...because they are not — for solo cello (2006) 10'
- Premiered by Sumire Kudo, at Indiana University-South Bend, February 2006.
- AUDIO SAMPLE
Forbidden Parallels — for piano (2006) 5'
- Solicited by Ananda Sukarlan.
- Premiered by Ananda Sukarlan in Madrid, Spain, October 2006.
- Future performances in Spain and Scotland.
- To be featured on a forthcoming commercial recording by Ananda Sukarlan.
- AUDIO SAMPLE
Dos Cantos de Covarrubias — for SATB Chorus (2004) c. 8’
Solitary Deserts of Infinite Space — for orchestra (2004) 9’45”
Invention for St. Vincent in the Mezquita —
for piano (2003-04) 9’
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To be performed by Indonesian pianist Ananda Sukarlan.
Fractures of Elysium — for piano trio (2003) 8’
- Composed for premier by the Gryphon Trio at the Norfolk Contemporary Music Workshop, July 2003.
- Performed at the Wellesley composers conference by Bayla Keyes (of Triple Helix), Michael Finckel, and Martin Goldray (formerly of the Philip Glass Ensemble), August 2003.
- AUDIO SAMPLE: beginning
- AUDIO SAMPLE: middle
- AUDIO SAMPLE: end
Fly Homeward, Mercury! — for orchestra (2003) 12’
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Winner, 2003 Student Orchestral Composition Prize, University of Cincinnati, College–Conservatory of Music.
Performed by CCM Philharmonia June 2003.
Deadly Bells — for flute, clarinet, piano, percussion, violin, cello (2002) 5’
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Written for the Aspen Contemporary Ensemble (Proteus). Performed summer 2002.
Joie — for guitar, violin, viola, cello (2002) 11’
- Commissioned by the Mostly Modern Chamber Music Society and guitarist Dan Lippel. Premiered March 2002 in Cleveland, Ohio. Subsequent performances in New York and New Jersey. Currently solicited by Augusta Read Thomas for performance consideration on the Chicago Symphony’s chamber series.
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To be commercially recorded by Dan Lippel in winter, 2006.
Night Prayers Ascending — for orchestra (2001, revised 2002) 6’
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Winner, 2001 Jacob Druckman Prize for Orchestral Music at the Aspen Music Festival. Also winner of the 2001 Student Orchestral Composition Prize, CCM. Performed summer 2002 by the Aspen Concert Orchestra. Also performed spring 2001 by CCM Philharmonia.
In dust and thunder — for string quartet (2002) 15’
- Performed spring 2003, CCM.
Twenty-seven — for chamber ensemble and baritone/tenor voice (2001) 7’.
Based on Cien Sonetos de Amor by Pablo Neruda.
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Performed spring 2001 at Music 2001, Cincinnati, Ohio. Currently solicited by Augusta Read Thomas for performance consideration on the Chicago Symphony’s chamber series.
Contagion — for viola and vibraphone (2000) 6’
- Performed at the Aspen Music Festival, summer 2001.
- Various performances at CCM.
Two Movements of Departure — for chorus and orchestra (2000) 15’. Based on the poetry of Ezra Pound.
- Boston University Master’s Thesis
Timeshadows — for brass, percussion, piano and contrabass (1999) 7’
- First movement “Apparition” commissioned and performed by Theodore Antoniou and Time’s Arrow New Music Ensemble, Boston, Massachusetts, winter 1999. Entire three movements performed in Boston, spring 2000.
Salutations — for solo oboe (1999) 6’
- Performed in Boston, spring 2000.
- Performed in Wisconsin, fall 2006, by Christa Garvey.
Three Short Night Prayers — for piano (1999) 7’
- Performed in Boston, spring 2000.
An Immorality and Doria — for SATB chorus (1999) 5’.
Based on the poetry of Ezra Pound.
- Performed in Boston, spring 2000.
Stratifications — for orchestra (1998) 10’
- Performed by the Boston University Chamber Orchestra, spring 2000.
In the Shadows of a Bell — for orchestra (1998) 7’
- Winner of the Vera Hinckley Mayhew Award for Music Composition, spring 1998.
Incidental Music for “Ancestors” — (1996)
- Incidental music for two episodes of the PBS series �Ancestors,� broadcast nationally in 1997.
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